Other Englands
A short blog here, as the quotidian is intruding, but it's an idea I hope to come back to.
I've always rejected the idea of consistency in my work, such as it is. I think I've played around in the toy box a bit too much to have anything which could recognisably be considered my voice. Others disagree. But, having been at this for twenty odd years now, I have noticed that there's a few thematic consistencies which bob regularly to the surface.
I blame Roy Fisher, as I have done elsewhere on this blog, for getting me going in this regard, but I always seem to circle round the idea of alternate realities, or histories, or concurrent, different worlds which lie under the surface of this one. L39 was pretty much all about this, and it's an idea I've returned to again and again, I found myself doing it again the other day with this poem (to be continued, when I've a bit more time:
Hesketh Out Marsh
desiring the follow- lines
the nowhere half-stops
the old ghost-walks
suggestion of edges
out in the haze
the shine beneath you
a liquid, refractory air
the two dimensional world
rhombuses of daylight
the sense of walking
right into a horizon
and asking
what do we look for
when we lose ourselves
in clouds of birds
a protective charm
tern-flight as spell
binding the air into knots
knitting the world together
stitching the air to the land
and
later I realise I’ve
brought something of the
marsh back with me
as down streets
elsewhere the gathering dark
bunches and follows
the coiled dark circus
rolls over the
cobbles
building and engulfing
and the uncertain halo
of marsh light
the memories of curlew cry
of water-spells
of empty skies
hold it back